Invasion of the Body Snatchers (1978) (M) PRESENTED IN 35MM FILM
Invasion of the Body Snatchers (1978) (M) PRESENTED IN 35MM FILM
The Revival House Perth

Invasion of the Body Snatchers (1978) (M) PRESENTED IN 35MM FILM

The Revival House Perth (Como, WA)
Thursday, 9 July 2026 7:20 pm
22 days away
15 Plus Licensed
Film
Movies / Cinema

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Invasion of the Body Snatchers (M, 1978) Presented in 35mm Film by The Revival House Perth

In San Francisco, health department worker Matthew Bennell (Donald Sutherland) notices something deeply wrong: people around him are acting strangely, claiming their loved ones are impostors despite looking identical. When he befriends psychologist Elizabeth Driscoll (Brooke Adams), whose boyfriend has recently become emotionally withdrawn and unfamiliar, Matthew begins to piece together a horrifying truth. Alien seed pods have arrived on Earth and are replacing humans with perfect duplicates—creatures that possess our memories and appearances but lack our emotions and individuality. As Matthew and Elizabeth investigate, they discover the duplicates are spreading through the city with terrifying efficiency, and the authorities themselves may have already been replaced. The only way to identify the pod people is through genuine human emotion, but as the pods multiply and more humans fall asleep each night, Matthew realizes there's nowhere left to hide.

Director Philip Kaufman's 1978 remake transforms Don Siegel's 1956 original into a paranoid nightmare perfectly suited to post-Watergate American anxiety. The film works as both science fiction horror and allegory for conformity and loss of individuality. Donald Sutherland brings mounting desperation to Matthew, while Brooke Adams conveys genuine fear and vulnerability. The pod creatures—designed by Tata Birell—are disturbingly lifeless, their plastic perfection more unsettling than any monster. The San Francisco locations and gray, clinical cinematography by Michael Chapman create urban dread. The film's most devastating element is its willingness to suggest that resistance may be futile—Kaufman doesn't offer easy victories or moral reassurances. Denny Zeitlin's unsettling score adds psychological horror. The final shot ranks among cinema's most chilling images, suggesting that humanity's greatest threat may be the loss of what makes us human.

Original format and audio experience of this film faithfully reproduced by The Revival House. Presented in 35mm film unless noted otherwise.

When: Thursday, July 9th at 7:20PM
Where: The Revival House at the Como Theatre
Rating: M (The content is moderate in impact)